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从“不问四时”看禅宗对王维水墨画构图观的影响
引用本文:徐菁菁.从“不问四时”看禅宗对王维水墨画构图观的影响[J].四川师范学院学报,2014(4):33-37.
作者姓名:徐菁菁
作者单位:北京大学哲学系,北京100871
摘    要:唐代王维作画,经常违背现实世界的时令,张彦远称之为“不问四时”.“不问四时”是一种审美选择,是王维创导的一种新的审美风范,对后世影响深远.本文认为“不问四时”与禅宗思想有着密切的关联.王维正是在禅宗思想影响下创作出这类画作,也是以“不问四时”这一荒诞的形式,来表达他心中的禅意.

关 键 词:王维  不问四时  禅宗  水墨画

On Zen's Influence on Wang Wei's View of Compositions of Ink and Wash Painting from the Perspective of "Without Regard for the Four Seasons"
XU Jing-jing.On Zen's Influence on Wang Wei's View of Compositions of Ink and Wash Painting from the Perspective of "Without Regard for the Four Seasons"[J].Journal of Sichuan Teachers College (Philosophy & Social Science),2014(4):33-37.
Authors:XU Jing-jing
Institution:XU Jing-jing ( Department of Philosophy, Peking University , Beijng 100871, China )
Abstract:In the Tang Dynasty, the themes of Wang Wei's ink and wash paintings were often created in anti-seasonal ways, which was cited as "without regard for the four seasons" by Zhang Yanyuan. This style was a new aesthetic choice first led by Wang Wei, and it actually had a far-reaching influence on the posterity. The main purpose of this paper is to demonstrate "without regard for the four seasons" is associated intimately with Zen. Under the influence of Zen, Wang Wei created this kind of paintings. He used this absurd form to express his own understanding of Zen.
Keywords:Wang Wei  "without regard for the four seasons"  Zen  ink and wash painting
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