| 意象指称问题的回归与前瞻 |
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| 引用本文： | 罗建新.意象指称问题的回归与前瞻[J].四川师范学院学报,2014(6):53-57. |
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| 作者姓名： | 罗建新 |
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| 作者单位： | 西华师范大学文学院,四川南充637009 |
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| 基金项目： | 四川省哲学社会科学重点研究基地西部区域文化研究中心项目（XBYJB1302） |
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| 摘 要： | 学界对意象指称蕴涵的界定，存在着“作品客体说”“主体心象说”“主客合一说”三类不同见解，尽管其间存在着分歧，然其皆认为意象中包括四个要素：属于意层面的情与理和属于象层面的物与事，而意象研究即是一个通过破解存在于作品中的具有“符号”性质的“着意之象”而去探求主体所附加在“象”之上的多重蕴“意”及其它相关因素的过程。从发生学角度看，“意象构成”问题乃是为文之关键，亦是读者进行审美批评的一个重要切入点。
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| 关 键 词： | 意象 蕴涵 学术史 意象构成 |
Retrospect and Prospect to the Problems of Image Nominatum |
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| LUO Jian-xin.Retrospect and Prospect to the Problems of Image Nominatum[J].Journal of Sichuan Teachers College (Philosophy & Social Science),2014(6):53-57. |
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| Authors: | LUO Jian-xin |
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| Institution: | LUO Jian-xin (School of Chinese Language and Literature, China West Normal University ,Nanchong 657009, China) |
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| Abstract: | There are three kinds of scholars’ views concerning the problem of image nominatum. Although they have a divergence of views, scholars have such a kind of common understanding. The concept of image includes the fol-lowing four elements：emotional experience, rational knowledge, object and things. In fact, the research of the liter-ature image is a process in which the multiple meanings of the“image” given by the author and other relavant fac-tors are explored by unveiling the“image” with the property of“symbol”in the literary works. From the perspective of genetic method,the image composition is the key issue in the literary creation and it’s also an important point cut for readers to make aesthetic criticism. |
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| Keywords: | image implication academic history image composition |
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