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延客与惑君——兼谈唐诗中胡姬的形象塑造
引用本文:蒙曼.延客与惑君——兼谈唐诗中胡姬的形象塑造[J].新疆师范大学学报(哲学社会科学版),2006,27(1):111-115.
作者姓名:蒙曼
作者单位:中央民族大学,历史系,北京,100081
摘    要:胡姬是唐诗中经常出现的一类文学形象。文章认为,唐代诗人塑造的胡姬形象大体有两类,一类是生活在市井之中的酒家胡;另一类则是宫廷或官贵人家的歌舞伎。前者在唐诗中的形象正面积极,是大唐盛世繁华的象征;后者则在安史之乱的特殊背景下背负了惑君的罪名。但是,唐人对安史之乱的反应是多方面的,这种复杂性同时也影响到了时人对胡姬的评判。

关 键 词:唐代  酒家胡  胡旋女  安史之乱
文章编号:1005-9245(2006)01-0111-05
收稿时间:11 29 2005 12:00AM
修稿时间:2005年11月29

Entertaining Guests and Tempting the Emperor--A Discussion of Huji's Image in Poems in Tang Dynasty
Meng Man.Entertaining Guests and Tempting the Emperor--A Discussion of Huji''''s Image in Poems in Tang Dynasty[J].Journal of Xinjiang Normal University (Edition of Philosophy and Social Sciences ),2006,27(1):111-115.
Authors:Meng Man
Institution:Department of History, Central University for Nationalities, Beijing 100081
Abstract:There were a lot of poems portraying "Huji" in Tang dynasty. The author thinks that most"Huji"in the poems could be devided into two groups. One was"Jiujia-Hu", who lived in cities and sold wine, another was singers and dancers in imperial court. The images of the former were active, since they were symbols of the flourish empire; while the images of the latter were much negative because they were considered as tempters who let the emperor degenerated and caused the An Lu-shan rebellion at last. The author pointes out that people in Tang dynasty made different reactions to the An Lu-shan rebellion, which also affected their attitude to "Huji".
Keywords:Tang dynasty  Jiujia-Hu  Hu-xuan dancers  the An Lu-shan rebellion  
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