| 论福斯特小说的电影化 |
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| 引用本文： | 陈洁.论福斯特小说的电影化[J].安康学院学报,2005,17(5):22-24. |
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| 作者姓名： | 陈洁 |
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| 作者单位： | 苏州大学,文学院,江苏,苏州,215021 |
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| 摘 要： | E. M.福斯特是英国20世纪上半叶最伟大的小说家之一.他的六部长篇小说中有五部被改编成了优秀的电影,充分显示了其小说所具有的明显的电影化倾向.福斯特的小说具有许多电影化因素,如视觉造型性、人物电影化及情节的复杂多变性等.正是这些特点使得福斯特的小说以及由它们所改编的电影具有独特的审美价值和艺术内涵.
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| 关 键 词： | 福斯特 电影化 视觉造型性 蒙太奇 长镜头 |
| 文章编号： | 1009-024X（2005）05-0022-03 |
| 收稿时间： | 2005-03-16 |
| 修稿时间： | 2005年3月16日 |
The Similarities between Movies and Novels of Forster |
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| CHEN Jie.The Similarities between Movies and Novels of Forster[J].Journal of Ankang Teachers College,2005,17(5):22-24. |
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| Authors: | CHEN Jie |
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| Abstract: | Edward Morgan Forster (1879-1970) is one of the greatest British novelists in the first half of the 20th century. Among his six novels, five have been adapted to excellent movies, which fully demonstrated the novels' distinct inclination to the similarities to movie. There are many similarities to movie in these novels. Forster also a-dopted several movie techniques in these novels, such as the use of Montage and Long Take, etc. These special features contributed to the exceptional aesthetic and artistic value of his novels and of the movies adapted from the novels. |
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| Keywords: | Forster Montage Long Take |
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