| 浅析少林功夫舞台剧中的“禅武合一”文化 |
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| 引用本文： | 程 馨,张静丽.浅析少林功夫舞台剧中的“禅武合一”文化[J].搏击·武术科学,2014(2):42-44. |
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| 作者姓名： | 程 馨 张静丽 |
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| 作者单位： | 华南师范大学体育科学学院,广东广州510006 |
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| 摘 要： | 少林功夫舞台剧是一种经过艺术加工但又有别于影视创作的新兴事物，其推出的初衷是为了传播少林文化，尤其是少林功夫的“禅武合一”文化；文章从少林功夫舞台剧中“禅武合一”文化的运用和传播两个方面进行研究发现：少林功夫舞台剧的发展状况参差不齐，对“禅武合一”文化的使用率有待提升，特别是在传播的过程中，出现了“重武轻禅”的现象，忽略了文化的保护和富有生命力的传承，影响其发展的平衡性。
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| 关 键 词： | 少林功夫舞台剧 “禅武合一”文化 运用 传播 |
On the Culture of ＂Zen and Wu Integration＂ in Shaolin Kung Fu Opera Performance |
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| Cheng Xin Zhang Jingli.On the Culture of ＂Zen and Wu Integration＂ in Shaolin Kung Fu Opera Performance[J].BOJI(WUSHUKEXUE),2014(2):42-44. |
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| Authors: | Cheng Xin Zhang Jingli |
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| Institution: | Cheng Xin Zhang Jingli (School of P.E. and Sports Science, South China Normal University, Guangzhou Guangdong 510006,China) |
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| Abstract: | Shaolin kung fu opera performance is a newly sprouted thing through artistic processing, but different from the film and television operas. Its original purpose is to spread the culture of Shaohn, especially the culture of ＂Zen and Wu Integration＂. This article studies the culture of＂Zen and Wu Integration＂ of Shaohn kung fu opera performance from the following two aspects： its using and spread. Shaohn kungfu opera performance has uneven development status, The utilization rate of＂ the culture of ＂Zen and Wu Integration＂ needs to be improved, especially in the process of transmission, emerging the phenomenon of ＂Paying more attention on Wushu and less attention on Zen＂, ignoring the protection and inheritance of culture heritage protection and rich vitality, affecting the balance of its development. |
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| Keywords: | Shaolin kung fu opera performance culture of＂Zen and Wu Integration＂ |
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