| 中国古代笄的设计表现及其发展 |
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| 引用本文： | 胡天霞,孙静,刘春雨.中国古代笄的设计表现及其发展[J].南宁职业技术学院学报,2010,15(6):21-24. |
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| 作者姓名： | 胡天霞 孙静 刘春雨 |
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| 作者单位： | 天津工业大学艺术与服装学院,天津300387 |
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| 摘 要： | 笄是古人用来簪发和连冠用的饰物,后世称为"簪"。《说文》:"笄,簪也。"中国素来被称为"衣冠王国",在"冠"饰文化中,笄的设计在特定的历史时期起着举足轻重的作用,其设计表现更被赋予了特定的文化内涵。因而,研究笄在中国古代的设计表现方法,有利于我们对中国服饰文化的整体理解和研究。
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| 关 键 词： | 笄 簪 步摇 钗 设计表现 |
On the Design Presentation and Development of Ancient "ji" in China |
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| HU Tian-xia,SUN Jing,LIU Chun-yu.On the Design Presentation and Development of Ancient "ji" in China[J].Journal of Nanning Polytechnic,2010,15(6):21-24. |
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| Authors: | HU Tian-xia SUN Jing LIU Chun-yu |
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| Institution: | 1.School of Arts ＆ Fashion, Tianjing University of Technology, Tianjing 300387, China) |
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| Abstract: | ＂ji＂, used by the ancients as an article for personal adornment, is known as ＂zan＂ in the later ages. China has always been referred to as ＂the kingdom of dress＂. The design of ＂ji＂ plays a key role in the particular historical period. Its design presentation is endowed with specific cultural connotations. Therefore, the studies on the techniques for design presentation in ancient China contributes to our holistic understanding and research of Chinese costumes culture. |
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| Keywords: | ji zan buyao chai design presentation |
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