| 论村上春树的音乐情结 |
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| 引用本文： | 陈岭.论村上春树的音乐情结[J].扬州教育学院学报,2003,21(2):48-50. |
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| 作者姓名： | 陈岭 |
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| 作者单位： | 扬州教育学院,艺术系,江苏,扬州,225002 |
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| 摘 要： | 村上春树在作品中随处可见的音乐痕迹早已说明:语言和音响在表现形态上有着某种一致性,音乐本身含有只可意会的精神内容,能提供给文字更多的想象因素。村上的作品中,音乐已成为一种美学符号而存在着。
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| 关 键 词： | 村上春树 音乐 六十年代 爵士乐 古典乐 美学符号 |
| 文章编号： | 1008-6536(2003)02-0048-03 |
| 修稿时间： | 2003年2月18日 |
On Haruki Murakami's Instinctive Desire for Music |
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| CHEN Ling.On Haruki Murakami''''s Instinctive Desire for Music[J].Journal of Yangzhou College of Education,2003,21(2):48-50. |
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| Authors: | CHEN Ling |
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| Abstract: | The music traces which can be seen everywhere in Haruki Murakami's works show that there's some identity between language and acoustics in expression. Music itself has something spiritual which can only be sensed, and it can provide more imaginary elements for writing. In Haruki Murakami s works music has already existed as a symbol of aesthetics. |
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| Keywords: | Haruki Murakami music jazz classical music symbol of aesthetics |
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