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Historical pigments characterisation by quantitative X-ray fluorescence
Institution:1. Dipartimento di Fisica e Chimica, Università degli Studi di Palermo, Viale delle Scienze, Edificio 18, 90128 Palermo, Italy;2. Laboratorio di Fisica e Tecnologie Relative–UniNetLab, Università degli Studi di Palermo, Viale delle Scienze, Edificio 18, 90128 Palermo, Italy;3. Dipartimento Energia, Ingegneria dell’Informazione e Modelli Matematici, Università degli Studi di Palermo, Viale delle Scienze, Edificio 9, 90128 Palermo, Italy;4. PH3DRA Laboratories (PHysics for Dating Diagnostics Dosimetry Research and Applications), Dipartimento di Fisica e Astronomia, Università degli Studi di Catania & INFN Sezione di Catania, Via Santa Sofia 64, 95123 Catania, Italy;1. Department of Chemistry and Industrial Chemistry, University of Pisa, Via Risorgimento 35, 56126 Pisa, Italy;2. Laboratoire de Chimie Organométallique et Macromoléculaire–Matériaux Composites, Faculté des Sciences et Techniques, Université Cadi Ayyad, Marrakech, Morocco;3. Laboratoire de dynamique des bassins et géomantique, Faculté des Sciences, Université Cadi Ayyad, Marrakech, Morocco;4. Inspection des monuments historiques, Marrakech, Morocco;1. Department of Physics, Istanbul Technical University, 34469 Maslak, ?stanbul, Turkey;2. Y?ld?z Technical University, Vocational School of National Palaces and Historical Buildings, 34349 Besikta?, ?stanbul, Turkey;3. Mimar Sinan University, Department of Traditional Turkish Arts, 34427 F?nd?kl?, ?stanbul, Turkey;1. Department of Inorganic Chemistry, Faculty of Chemistry, Vilnius University, Naugarduko 24, 03225 Vilnius, Lithuania;2. Pranas Gudynas Centre for Restoration, Lithuanian Art Museum, Rudninku 8, 01135 Vilnius, Lithuania;3. Center for Physical Sciences and Technology, Institute of Chemistry, A. Gostauto 9, 01108 Vilnius, Lithuania;1. Laboratory of Electroacoustics and TV Systems, Department of Electrical and Computer Engineering, Aristotle University of Thessaloniki, Thessaloniki, Greece;2. Laboratory of Electronic Media, Department of Journalism and Mass Communication, Aristotle University of Thessaloniki, Thessaloniki, Greece
Abstract:Most of the historical paints are mainly constituted by inorganic pigments, either pure or mixed, spread on the surfaces using different binding agents. The knowledge of the exact amount of different constituents of the paint, as well as of the mixing and pictorial techniques, is crucial for a careful program of conservation of polychrome works. Moreover, since the availability of these pigments has been changing through the centuries, their identification and chemical characterisation is useful to acquire or deepen information about the artist and his/her work. This information can also be useful for authentication purposes through relative dating because the identification of one pigment respect to another one can be used as a terminus post quem or ante quem the artwork was realized. In this work, X-ray fluorescence data from historical pigments, both pure and mixed, will be presented, in order to obtain quantitative information on the samples and to extract calibration curves to the aim of evaluating the pigment concentration in unknown mixtures.
Keywords:Pigments  Mixtures  Quantitative analysis  X-ray fluorescence  Cultural heritage
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