| 审美人类学视野下的融水苗族坡会 |
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| 引用本文： | 韦婷婷.审美人类学视野下的融水苗族坡会[J].柳州师专学报,2009,24(5):4-6. |
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| 作者姓名： | 韦婷婷 |
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| 作者单位： | 广西师范大学文学院,广西,桂林,541004 |
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| 摘 要： | 坡会是融水苗族自治县传统的民族节日。芦笙曲和踩堂舞是坡会的主体活动，作为节日期间集中展现的民族艺术，蕴含着独特的审美文化。在审美人类学的视野下，通过分析民族节日的审美语境，将其放入社会文化背景中，对坡会的审美文化及其内在意蕴进行了探讨。
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| 关 键 词： | 坡会 审美人类学 审美文化 族群互动 审美制度 |
The Rongshui Miao "Pohui" in Perspective of Aesthetic Anthropology |
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| WEI Ting-ting.The Rongshui Miao "Pohui" in Perspective of Aesthetic Anthropology[J].Journal of Liuzhou Teachers College,2009,24(5):4-6. |
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| Authors: | WEI Ting-ting |
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| Institution: | WEI Ting - ting (College of Literature, Guangxi Normal University, Guilin, Guangxi 541004, China) |
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| Abstract: | Pohui is a traditional national holiday of Rongshui Miao Autonomous County. Lusheng songs and Caitang dances are the main activities of Pohui, as the national art demonstrated during the festival, containing a unique aesthetic culture. In the vision of aesthetic anthropology and through the analysis of the aesthetic context of the national holiday, this paper is to explore the aesthetic culture of Pohui in social and cultural background. |
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| Keywords: | Pohui aesthetic anthropology aesthetic culture interaction between ethnic groups aesthetics system |
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