| 中国书法与古典诗词创作的审美共性特征 |
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| 引用本文： | 戚荣金.中国书法与古典诗词创作的审美共性特征[J].培训与研究,2008,25(4):82-83. |
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| 作者姓名： | 戚荣金 |
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| 作者单位： | 信阳职业技术学院中文系,河南信阳464000 |
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| 摘 要： | 中国书法创作追求“中正平和”、“达其性情”,强调“意在笔先”,而古典诗词创作追求“中和之美”,强调“诗缘情”,注重意境的创造,二者在审美精神和创作理念上相互渗透和影响,有着共同的审美追求。
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| 关 键 词： | 缘情 中和 意境 |
The Same Aesthetic Features in Chinese Calligraphy and Ancient Poems |
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| QI Rong-jin.The Same Aesthetic Features in Chinese Calligraphy and Ancient Poems[J].Training and Research-Journal of Hubei College of Education,2008,25(4):82-83. |
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| Authors: | QI Rong-jin |
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| Institution: | QI Rong-jin (Department of Chinese language, Xinyang Vocational and Technical College, Xinyang Henan 464000, China) |
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| Abstract: | In Chinese calligraphy,＂neutralism and harmony＂ and ＂expressing the nature＂ were pursued in its creation. It stressed ＂theme before writing＂ ,while the ancient Chinese poems put more effort to ＂aesthetics of neutralization＂ and ＂poetry arising from emotions＂ in its creation. The aesthetic spirit and the creation of artistic conception have osmotic influence on each other, and have the same esthetic pursuit. |
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| Keywords: | poetry arising from emotions neutralism and harmony artistic conception |
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