| 声韵·情韵·神韵:“韵”之三层结构论 |
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| 引用本文： | 刘方喜.声韵·情韵·神韵:“韵”之三层结构论[J].陕西师范大学学报(哲学社会科学版),2010(3). |
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| 作者姓名： | 刘方喜 |
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| 作者单位： | 中国社会科学院文学研究所; |
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| 基金项目： | 中国社会科学院重大研究项目(B类) |
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| 摘 要： | 汉语古典诗学声韵形式研究中存在着三层结构,即形式层、功能层、超越层。在形式层上,汉语古典诗学强调声韵形式之美;在功能层上,强调声韵形式之能,也即强调声韵形式本身具有情感表现功能,这集中表现于声情范畴论的相关研究之中;在超越层上,强调声韵形式之神,也即强调对声韵形式和功能有限性的超越,这集中表现于神韵范畴论的相关研究中。韵之三层结构论最终揭示,充分创造汉语声韵形式之美、开掘汉语声韵形式之能、彰显汉语声韵形式之神,乃是汉语古典诗学重要的审美文化理想,而大量声情茂美、神韵灵动的汉语古典诗歌作品,足以从创作实践上充分地历史地证明此点。
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| 关 键 词： | 古典诗学 声情 神韵 形式层 功能层 超越层 |
The Triple Structure of Rhyming:Vocal Rhyming,Emotional Rhyming and Artistic Rhyming |
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| LIU Fang-xi.The Triple Structure of Rhyming:Vocal Rhyming,Emotional Rhyming and Artistic Rhyming[J].Journal of Shaanxi Normal University(Philosophy and Social Sciences Edition),2010(3). |
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| Authors: | LIU Fang-xi |
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| Institution: | LIU Fang-xi(Institution of Literature,China Academy of Social Sciences,Beijing 100732) |
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| Abstract: | Studies of the rhyming forms of Chinese classical poetics present a triple structure, that is, the formal level, functional level and innovative level. At the formal level, Chinese classical poetics projects the beauty in form; at the functional level, the capacity of forms of rhyming, namely, the function of representing emotion of forms of rhyming themselves; at the innovative level, the artistry of forms of rhyming, in other words, the breaking of restriction of forms and function of rhyming. Eventually,... |
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| Keywords: | classical poetics voice and expression artistic rhyming formal level functional level innovative level |
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