| 谈郭熙“三远法”画论中的构图和透视 |
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| 引用本文： | 王万潮.谈郭熙“三远法”画论中的构图和透视[J].集宁师专学报,2008,30(3):32-35. |
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| 作者姓名： | 王万潮 |
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| 作者单位： | 阜阳师范学校,安徽,阜阳,236015 |
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| 摘 要： | 郭熙是北宋最重要的山水画家之一。他的山水画曾对当时的山水画创作产生了很大的影响，特别是他于传统绘画技法背景下所提出的“三远法”——即“高远”、“深远”、“平远”的绘画理论，是他在构图和透视等绘画技法上的经验总结，是对绘画理论的一个创新，为推动北宋山水画的全面发展和繁荣有着积极的贡献，也为后来的山水画技法奠定了坚实的基础。
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| 关 键 词： | 郭熙 “三远法” 构图 透视 |
Composition and Perspective on the "Three-Far" Painting of Guo Xi |
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| WANG Wan-chao.Composition and Perspective on the "Three-Far" Painting of Guo Xi[J].Journal of Jining Teachers College,2008,30(3):32-35. |
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| Authors: | WANG Wan-chao |
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| Institution: | WANG Wan-chao (Fuyang Teachers＇ school Anhui Fuyang 236015) |
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| Abstract: | Guo Xi is the most important painter in landscape paintings of Bei Song Dynasty. His landscape paintings created a great impact at that time, especially his ＂three-far＂ theory, which improved all - round development of landscape painting of Bei Song Dynasty, and had a positive contribution to the prosperity, and also laid a solid foundation for techniques in landscape painting later. |
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| Keywords: | GuoXi the ＂three-far＂ composition perspective |
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