| 四部和声写作 |
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| 引用本文： | 谢黎华.四部和声写作[J].邵阳学院学报(社会科学版),2007,6(6):150-152. |
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| 作者姓名： | 谢黎华 |
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| 作者单位： | 邵阳学院,音乐系,湖南,邵阳,422000 |
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| 摘 要： | 四部和声写作首先从整体上对习题进行设计和安排,主要在结构和声功能上及声部处理上进行宏观设计和安排,另一方面,在结构内部对局部进行精心设计和安排,就能较好地完成四部和声的写作。
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| 关 键 词： | 设计 声部处理 终止武 |
| 文章编号： | 1672-1012（2007）06-0150-03 |
| 收稿时间： | 2007-04-10 |
| 修稿时间： | 2007年4月10日 |
Concerning the Composition of Quartet Harmony |
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| XIE Li-hua.Concerning the Composition of Quartet Harmony[J].Journal of Shaoyang University:Social Science,2007,6(6):150-152. |
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| Authors: | XIE Li-hua |
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| Institution: | Music Department, Shaoyang College , Shaoyang Hunan 422000 |
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| Abstract: | Two requirements should be met in composing quartet harmony: on the one hand,the composition of quartet harmony should design and arrange exercises from a macro-perspective,with focuses on the structure,the performance of harmony and the arrangement of the four sections of the quartet;on the other hand,the composition of quartet harmony should pay special attention to the internal arrangement from a micro-perspective. |
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| Keywords: | design the arrangement of the four sections of the quartet endings |
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