| 晚明情感论之艺术表现 |
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| 引用本文： | 袁向彤.晚明情感论之艺术表现[J].广播电视大学学报,2001(4):8-10. |
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| 作者姓名： | 袁向彤 |
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| 作者单位： | 烟台师范学院,山东,烟台,264025 |
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| 摘 要： | 晚明情感论内涵丰富，极具特征，而且遍及各种艺术形式，在艺术特征上，表现手法灵活多样，追求自然、真实、本色之美，以化工为最高审美境界，体现了新的美学追求，情感表现的特性得到重视和发掘，尤其在戏曲、小说理论领域，戏曲小说的艺术价值和魅力与文学地位得到了充分的肯定。
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| 关 键 词： | 情感论 艺术表现 明朝晚期 戏曲 小说 艺术价值 |
| 文章编号： | 1008-0597(2001)04-0008-03 |
The Artistic Embodiment of the Late Ming Dynasty's Sentimentalism |
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| YUAN Xiang-tong.The Artistic Embodiment of the Late Ming Dynasty''s Sentimentalism[J].Journal of TV University(Philosophy & Social Sciences),2001(4):8-10. |
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| Authors: | YUAN Xiang-tong |
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| Abstract: | The sentimentalism of the late Dynasty contains substantial content with its prominent characteristics, And reflected in a variety of artistic forms. The characteristics, embodied through emotions were especially stressed and exposed in the fields of dramas and novels,in which artistic values and their status in literature were firmly affirmed. The enlargement of subject-matter was deeply reflected in the essays. |
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| Keywords: | The late Ming Dynasty The Sentimentalism Artistic embodiment |
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