| 乐从和--中国传统建筑的艺术神韵 |
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| 引用本文： | 彭晋媛.乐从和--中国传统建筑的艺术神韵[J].华侨大学学报(哲学社会科学版),2003(4):113-122. |
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| 作者姓名： | 彭晋媛 |
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| 作者单位： | 华侨大学,建筑系,福建,泉州,362011 |
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| 摘 要： | 中华传统化以“致中和”为最高境界，追求艺术的韵律与个体身心、社会秩序和宇宙运迈的协同和合。中国传统建筑“阴阳合气”，以个体的身心节律为基础，建构合宜的空间尺度和灵活的空间界面；中国传统建筑“明分使群”，以人伦秩序为布局原则，以数理和谐为形式规律，将严密的礼制仪规演绎为严谨的空间序列；中国传统建筑“立象尽意”，将深奥的哲“意”寓于生动的“象”符，以建筑形式体现空间生成规律。
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| 关 键 词： | 礼 乐 传统建筑 空间特征 群体魅力 象征手法 |
| 文章编号： | 1006-1398(2003)04-0113-010 |
| 修稿时间： | 2003年7月18日 |
Art Followed Harmony:Artistic Charm of Chinese Traditional Architecture |
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| PENG Jin-yuan.Art Followed Harmony:Artistic Charm of Chinese Traditional Architecture[J].Journal of Huaqiao University(Humanities & Social Science),2003(4):113-122. |
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| Authors: | PENG Jin-yuan |
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| Abstract: | Traditional architecture of China took "Just and peace" as ideal state, it pursued the harmony of artistic charm with individual body and mind, social order and cosmic evolation. Chinese traditional architecture connected "Yin and Yang appo-sites" and took the prosody of individual body and mind as foundation, it constructed appropriate spatial scale and flexible spatial interface. Chinese traditional architecture "respectad for seniority" and took ethical order as layout principle and geomantic kar-
mony as formal rule, it deduced the tight code and regalation of etiquettee to be strictly spatial alignment. Chinese traditional architecture "set up shape for putting an idea to best use" and implied a profoundly philosophical "idea" in active symbol of "shape", it took architectural form to reflect generation rule of space. |
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| Keywords: | rite music or art traditional architecture spatial characteristics group charm symbolizing skill |
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