| 论男性文本中的“妖女”形象——以《尘埃落定》中塔娜为例 |
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| 引用本文： | 黄丽萍.论男性文本中的“妖女”形象——以《尘埃落定》中塔娜为例[J].广东广播电视大学学报,2012(6):83-86. |
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| 作者姓名： | 黄丽萍 |
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| 作者单位： | 西南大学中国新诗研究所 |
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| 摘 要： | 《尘埃落定》中的塔娜，有学者概括为“花妖狐媚型女人”、“放荡型女人”。作为一个女人，她和作品中的其他女人一样，身上承载着男性中心话语对女性主体性的压制。作为一个“妖女”，她和男性作家笔下的其他“妖女”一样，成为男权话语下男性欲望的投射，在欲望化叙事中，为男性中心话语所妖化。“妖女”多歧路，却殊途同归，是男性潜意识的代言者。
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| 关 键 词： | 塔娜 妖女 男性中心话语 欲望化叙事 潜意识 |
On the Siren in the Male Text:Taking Ta Na as an Example |
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| HUANG Li-ping.On the Siren in the Male Text:Taking Ta Na as an Example[J].Journal of Guangdong Radio & Television University,2012(6):83-86. |
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| Authors: | HUANG Li-ping |
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| Institution: | HUANG Li-ping(Modern Chinese Poetry Research Institute,Southwest University,Chongqing,China,400715) |
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| Abstract: | The role of Ta Na in The Dust Settles is called the enchanting Sprite and immoral woman by some scholars. As a woman, like other female characters in the novel, her feminine subjectivity is suppressed by the male-centered discourse. And as a siren, she and other same characters in the male writer＇s hands become the projection of male desire under the male- centered discourse, and also are demonized by the male-centered discourse in the male writer＇s orectic narrative. The sirens have different lives, but share the same destiny, making them the voice of the male subconscious. |
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| Keywords: | Ta Na Siren male-centered discourse orectic narrative subconscious |
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