| 神韵说与王维诗歌的阐释 |
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| 引用本文： | 袁晓薇.神韵说与王维诗歌的阐释[J].安徽教育学院学报,2009(2):22-26. |
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| 作者姓名： | 袁晓薇 |
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| 作者单位： | 合肥师范学院中文系,安徽合肥,230061 |
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| 摘 要： | 王士禛论诗“独标神韵”，王维诗歌艺术境界很大程度上契合了“神韵”说的审美理想，因此成为王士禛心目中的“神韵”范本。王士禛在前人的基础之上对王维诗歌艺术做出更为透辟细致的阐释。标志着”神韵”说理论成熟的《唐贤三昧集》确立了王维诗歌作为“唐音”正宗的地位，也强化了王维诗歌在中国诗歌美学中的经典性。
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| 关 键 词： | 王维 王士禛 神韵说 审美阐发 诗学意义 |
Theory of Verve and Interpretation of WANG Wei's Poems |
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| YUAN Xiao-wei.Theory of Verve and Interpretation of WANG Wei's Poems[J].Journal of Anhui Institute of Education,2009(2):22-26. |
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| Authors: | YUAN Xiao-wei |
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| Institution: | Department of Chinese;Hefei Teachers College;Hefei 230061;China |
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| Abstract: | WANG Shi-zhen considered poems to be novel and romantic,which,to a great degree,accords with aesthetic ideals of theory of verve of WANG Wei's poetic artistic realm,therefore,WANG's poems had become a model of romantic charm in WANG Shi-zhen's mind.Based on the analysis done by his predecessors,WANG Shi-zhen made a deeper and more intensive study of WANG Wei's poetic art.Collection of Samadhi Poetry by Bhadras of the Tang Dynasty marking the maturity of theory of verve established the orthodox position of W... |
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| Keywords: | WANG Wei WANG Shi-zhen theory of verve aesthetic elaboration significance of poetics |
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