| 写意与表现——浅谈中西艺术的精神内涵 |
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| 引用本文： | 房正.写意与表现——浅谈中西艺术的精神内涵[J].安徽广播电视大学学报,2006(3):118-121. |
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| 作者姓名： | 房正 |
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| 作者单位： | 中国计量学院,人文社科学院,杭州,310018 |
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| 摘 要： | 西方现代表现主义绘画强调主体精神表现,这一点和中国写意性绘画“直抒胸意”的艺术追求有着惊人一致性,两者都追求主体精神的自我表现,但表面相同却不能掩盖其中实质差异。中国绘画追求的是一种物我交融、天人合一的思想境界,强调人和自然的和谐;而西方绘画则强调能动的控制、奴役自然以达到表现自我的目的。
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| 关 键 词： | 写意 表现 天人合一 天人相分 |
| 文章编号： | 1008-6021（2006）03-0118-04 |
| 收稿时间： | 2006-05-30 |
| 修稿时间： | 2006-05-30 |
Freehand Brushwork and Expression——A Brief Analysis of the Spirit of Chinese and Western Art |
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| FANG Zheng.Freehand Brushwork and Expression——A Brief Analysis of the Spirit of Chinese and Western Art[J].Journal of Anhui Television University,2006(3):118-121. |
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| Authors: | FANG Zheng |
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| Institution: | College of Humanities, China Jiliang University, Hangzhou 310018, China |
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| Abstract: | The western expressive character painting and Chinese freehand brushwork painting have a common direction,they express the life enthusiasm,but they are different in essence.Chinese art seeks a harmony between nature and human beings.While western art implies that the nature and man divides mutually. |
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| Keywords: | freehand brushwork expression harmony between nature and human beings separation between nature and human beings |
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