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“文人画”理论的哲学溯源及其在历史上的动态发展
引用本文:邓抒扬.“文人画”理论的哲学溯源及其在历史上的动态发展[J].金陵科技学院学报(社会科学版),2012,26(1):51-54.
作者姓名:邓抒扬
作者单位:金陵科技学院人文学院,江苏南京,210038
基金项目:教育部人文社会科学研究青年基金项目
摘    要:"文人画"是中国绘画艺术发展和中国美学研究中普遍关注的问题。在中国传统哲学和"士夫"文化背景的影响下,历代知识分子画家和艺术理论家不断丰富和发展并最终形成了比较完备的"文人画"理论体系。上溯唐代,从流传下来的书画作品和艺术批评中已经能够感受到时人对"文人画"的审美特征和艺术观念的关注,也充分预示了"文人画"在审美倾向和创作实践上将对未来的中国绘画产生重要影响。

关 键 词:“文人画”理论  思想基础  文化背景  艺术实践

Philosophical Origin and Historical Dynamic Development of "Literati Painting" Theory
DENG Shu-yang.Philosophical Origin and Historical Dynamic Development of "Literati Painting" Theory[J].Journal of Jinling Institute of Technology :Social Science Edition,2012,26(1):51-54.
Authors:DENG Shu-yang
Institution:DENG Shu-yang(Jinling Institute of Technology,Nanjing 210038,China)
Abstract:"Literati painting" is an issues of common concern in Chinese painting art and Chinese esthetics study.Under the influence of the cultural background of "literati"and traditional Chinese philosophy,the intellectual painters and art theorists of all dynasties have unceasingly enriched,developed,and ultimately created a more complete theoretical system of"literati painting".Back to the Tang Dynasty,the aesthetic characteristics and artistic conception of "literati painting"have been a concern of contemporary people in art works and art criticism of that time,which serves as prediction of the impact of "literati painting" on the aesthetic and creative practice of the future Chinese painting.
Keywords:'literati painting' theory  ideological basis  cultural background  creative practice
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