| 丫环的诱惑--白薇对宝玉访晴雯的颓废主义叙述 |
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| 引用本文： | 马利安·高利克,李燕.丫环的诱惑--白薇对宝玉访晴雯的颓废主义叙述[J].海南师范大学学报(社会科学版),2004,17(5):1-7. |
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| 作者姓名： | 马利安·高利克 李燕 |
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| 作者单位： | 1. 斯洛伐克科学院,东方研究部
2. 北京语言大学,文学院,北京,100083 |
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| 摘 要： | 白薇是中国颓废主义创作阶段的代表作家之一.论文以白薇的坎坷人生经历为切入点,深刻分析了其颓废主义创作手法形成的原因及发展过程.从白薇的第一部剧作<琳丽>开始,美与爱的主题就开始显现.到了<访雯>,白薇就达到了颓废主义创作的顶峰.<访雯>与意大利文学家加百列·邓南遮的<死城>有着众多相似之处.爱、死和美是两部剧作中共同关心的主题;宝玉跟晴雯的绵绵爱意与里奥纳多跟妹妹玛丽亚之间的爱情都属非比寻常的兄妹之恋;两部剧都注重了对场景和情节的刻画,反映出颓废主义的精神特征.但是,如果从女性解放的角度分析,白薇笔下晴雯的形象已经超越了邓南遮的玛丽亚;同时,宝玉的形象又为亚莱桑特罗这个人物所不及.总之,白薇<访雯>的创作源头很可能来自邓南遮的<死城>,并且在一定程度上有所超越,因而备受关注.
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| 关 键 词： | 白薇 邓南遮 《访雯》 《死城》 爱 美 死 |
| 文章编号： | 1672-223X(2004)05-0001-07 |
| 修稿时间： | 2004年7月15日 |
The Temptation of a Servant Girl |
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| Authors: | Marian Galik |
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| Abstract: | Bai Wei is one of the representative writers of decadence in China. Starting with the eventful life experiences of Bai Wei, this paper aims to probe into the cause for the formation of and the developmental process of Bai s decadent writing skill. In her first drama Lin Li was manifest the motif of beauty and love, and Bai attained her climax of decadent writing in her book Fang Wen . There are many similarities between the Italian writer Deng Nan-zhe's The Dead City and Bai Wei's Fang Wen in that both plays share the themes of love, death and beauty and that the continuous love between Bao Yu and Qing Wen and the love between Lionado and his sister Maria are of the abnormal love of brothers for sisters. Moreover, both plays are much concerned with the delineation of setting and plots, which is typical of the decadent spirit. However, viewed from the aspect of female emancipation, Qing Wen is superior to Maria while Bao Yu is better drawn. In a word, Bai s Fang Wen might be inspired by Deng Nan-zhe's The Dead City, but the former is better-wrought to some degree so that it is noteworthy. |
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| Keywords: | Bai Wei Deng Nan-zhe Fang Wen The Dead City love beauty death |
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