| 从“神画”到“术画”的转变与宋代美术转向 |
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| 引用本文： | 范美霞.从“神画”到“术画”的转变与宋代美术转向[J].廊坊师范学院学报,2010,26(4):30-32. |
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| 作者姓名： | 范美霞 |
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| 作者单位： | 西南民族大学,艺术学院,四川,成都,610041 |
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| 摘 要： | 在中国早期绘画理论中,有许多关于绘画作品或绘画创作具有让人不可思议的神异特点的记述,这些记述通常是用来从一个侧面说明画家绘画水平高超,达到了通神的境界,并无贬义,但是,到了五代末期北宋以后,如果有当时的画家以神异特征来宣称自己擅画,受到的不再是礼遇,而是贬斥,而画论中也基本上没有了新的关于绘画神异特点的记述。
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| 关 键 词： | 神画 术画 宋代美术 |
From"Mythological Drawing"to"Trick Drawing"and the Turn of Fine Arts in the Song Dynasty |
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| FAN Mei-xia.From"Mythological Drawing"to"Trick Drawing"and the Turn of Fine Arts in the Song Dynasty[J].Journal of Langfang Teachers College,2010,26(4):30-32. |
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| Authors: | FAN Mei-xia |
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| Institution: | FAN Mei-xia (School of Fine Arts, Southwest University of Nationalities, Chengdu Sichuan 610041, China) |
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| Abstract: | In the early Chinese theoretical works about painting, there are many records about paintings that possess miraculous property. Usually these records are used to show that the painter＇s skills have reached a high level without derogatory sense. But since the late Five Dynasties and the Song Dynasty, ff a painter dared to declare that his painting possesses some miraculous property, he would be berated instead of being praised. Meanwhile, no new similar records find their way into theoretical works again. |
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| Keywords: | mythological drawing trick drawing fine arts in the Song Dynasty |
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