| 书笔入画随谈 |
| |
| 引用本文： | 龙德赋.书笔入画随谈[J].昭通师范高等专科学校学报,2003,25(3):32-35. |
| |
| 作者姓名： | 龙德赋 |
| |
| 作者单位： | 昭通师范高等专科学校,艺术系,云南,昭通,657000 |
| |
| 摘 要： | 中国画与书法是相互影响极为深远的两种艺术。书笔入画源远流长，代有发挥。主张书笔入画是因为中国画线条本身难以自足，书法线条却不断地发展完善，而两者对线条较多的审美共性促进了这种引进。中国画在长期的引进中汲取了书法线条的形感美、力感美、动感美、情感特质等等，从而丰富了自身。研究和推进书笔入画对中国画今日的发展将提供一种新的参照和可能。
|
| 关 键 词： | 中国画 书法 线条 |
| 文章编号： | 1008-9322(2003)03-0032-04 |
| 修稿时间： | 2002年5月20日 |
A Free Talk on the Writing Brush Being Used in a Picture |
| |
| LONG De-fu.A Free Talk on the Writing Brush Being Used in a Picture[J].Journal of Zhaotong Teacher's College,2003,25(3):32-35. |
| |
| Authors: | LONG De-fu |
| |
| Abstract: | The traditional Chinese painting and calligraphy are two arts which influence each other extremely profoundly. The writing brush being used in the picture traces its history back to ancient times and it brings its faculties into play from generation to generation. Advocating the writing brush being used in the picture is because Chinese painting lines themselves are hard to be self-sufficient, while the calligraphic lines are steadily improved and developed. The aesthetic generality of both for more lines promotes such an introduction. During the long-term introduction, Chinese painting has derived the beauties of formal sense, strength sense, dynamic sense, emotional characteristics, etc. from Chinese calligraphy, thus enriches itself. So researching and promoting the writing brush being used in the picture will offer new reference and possibility to the development of today's Chinese painting. |
| |
| Keywords: | traditional Chinese painting calligraphy line |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
