| 民族民间乐舞的繁兴与汉乐府体诗歌的产生 |
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| 引用本文： | 吴贤哲.民族民间乐舞的繁兴与汉乐府体诗歌的产生[J].内江师范学院学报,2004,19(1):61-66. |
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| 作者姓名： | 吴贤哲 |
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| 作者单位： | 西南民族大学,文学院,四川,成都,610041 |
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| 摘 要： | 汉乐府体诗歌的产生是汉代乐舞繁兴的必然结果，它随着乐舞的繁兴而产生，并成为继“诗”、“骚”之后中国文学史又一新诗体。汉乐府诗起着重要的承上启下的作用，它在诗歌体式、语言容量和表现力等方面的优势逐渐引起汉代文人的注意并开始模拟它们，将它们引进文坛，为后世多种诗体特别是直接为五言体的形成奠定了基础，进而推动了中国诗歌的发展。
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| 关 键 词： | 汉代 乐舞 乐府诗 |
| 文章编号： | 1671-1785(2004)01-0061-06 |
| 修稿时间： | 2003年11月7日 |
The Prosperity of the Folk Music and Dance and the Birth of the Poetic Genre of Folk Songs and Ballads in the Han Style |
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| WU Xian-zhe.The Prosperity of the Folk Music and Dance and the Birth of the Poetic Genre of Folk Songs and Ballads in the Han Style[J].Journal of Neijiang Teachers College,2004,19(1):61-66. |
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| Authors: | WU Xian-zhe |
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| Abstract: | The birth of the poetic genre of folk songs and ballads in the Han style is the necessary result of the prosperity of the folk music and dance in the Han Dynasty, which developed into another new poetic genre of China after The Book of Songs and Li Sao. It plays an important role in forming a connecting link between the preceding and the following, and takes a dominant position in the styles of poems, contents of language and technique of expression, which absorbed the men of letters in the Han Dynasty, who began to imitate it and introduce it into the literary circles, laid a foundation for the formation of the later poetic genre, especially the poem with five characters to a line and contributed to the development of Chinese poems. |
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| Keywords: | Han Dynasty music and dance poetic genre of folk songs and ballads in the Han Dynasty |
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