| 唐诗中的燕子意象 |
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| 引用本文： | 吴福秀.唐诗中的燕子意象[J].临沂师范学院学报,2010,32(2):64-67. |
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| 作者姓名： | 吴福秀 |
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| 作者单位： | 湖北师范学院,文学院,湖北,黄石,435002 |
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| 摘 要： | 古书中的燕子从《诗经》奠定的“玄鸟——图腾”、“燕燕——离别”等意象模式开始，走出了脉络分明的文学意象发展之路，其各种意象的融合在唐代呈现出空前繁盛的局面。唐人在文学意象的使用上，燕子作为神鸟、图腾象征的主题明显减少，注重其自然习性描写的篇章大幅增加。唐诗中燕子意象的发展，展示了唐代文学创作逐步摆脱蒙昧的时代意识、文人象征性思维得到拓展，以及文人生命情怀进一步延伸等时代特征，展现了唐代文学创作主体积极影响社会意识的时代风貌。
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| 关 键 词： | 《诗经》 离别 唐诗 燕子意象 时代特征 |
The Swallow Image in the Poems of Tang Dynasty |
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| WU Fu-xiu.The Swallow Image in the Poems of Tang Dynasty[J].Journal of Linyi Teachers' College,2010,32(2):64-67. |
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| Authors: | WU Fu-xiu |
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| Institution: | WU Fu-xiu (School of Chinese Language ＆ Literature, Hubei Normal University, Huangshi Hubei 435002, China) |
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| Abstract: | The swallow image in ancient books mainly appears as the totem or the mode of parting in Book of Poetry. It comes up to the peak of times in Tang Dynasty. In the poems of Tang Dynasty, the swallow image appearing as the totem reduces, hnd the natural swallow image increases. The development process of the swallow image in the poems of Tang Dynasty displays the features of times, such as the weakening of ignorance, the symbolic thinking and the extending emotion in the literary creation. It shows that the literary creative subject actively participate in the social consciousness in Tang Dynasty. |
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| Keywords: | Book of Poetry parting poems of Tang Dynasty swallow image features of times |
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