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从历史镜鉴到人文观照--当代戏曲中闯王剧的演进轨迹
引用本文:颜全毅.从历史镜鉴到人文观照--当代戏曲中闯王剧的演进轨迹[J].南京师范大学文学院学报,2002(3):17-22.
作者姓名:颜全毅
作者单位:南京师范大学,文学院,江苏,南京,210097
摘    要:本以《闯王进京》、《闯王旗》、《甲申祭》三个不同时期同一题材的历史剧为例,分析了现代戏曲历史剧在艺术追求和审美倾向上的发展轨迹,并以《甲申祭》为个案着重讨论了当前历史剧对历史人物隐蔽的心灵空间进行探寻的人观照倾向,以及对历史真实与艺术真实这一问题的把握。

关 键 词:戏曲  闯王剧  历史情境  人文观照  历史真实  艺术真实
文章编号:1008-9853(2002)03-017-06
修稿时间:2002年6月28日

From Historical Lessons to Humanistic Concerns--the Evolutionary Trace of Dramas on Chuang Wang in Modern Dramas
Yan Quanyi.From Historical Lessons to Humanistic Concerns--the Evolutionary Trace of Dramas on Chuang Wang in Modern Dramas[J].Journal of Chinese Language and Culture School Nanjing Normal University,2002(3):17-22.
Authors:Yan Quanyi
Abstract:With the example of Chuang Wang's Entery into Peking, The Chuan Wang Flag, and Sacrifice to Year Jiashen, historical dramas on the same theme composed at three different periods of time, this paper attempts an analysis of the evolutionary trace of modern historical dramas in their artistic pursuit and aesthetic orientation. Par-ticular emphasis is laid on a discussion on the tendency of humanistic concerns in modern historical dramas repre-sented by Sacrifice to Year Jiashen in their probing into the secluded inner world of historical figures, and the grasp of the issue of loyalty to history and the truthfulness of art.
Keywords:historical situation  humanistic concern  loyalty to history  truthfulness of art
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