| 从传播地理到传播格局——20世纪50年代中国电影的一种景观 |
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| 引用本文： | 颜纯钧.从传播地理到传播格局——20世纪50年代中国电影的一种景观[J].福建师范大学学报(哲学社会科学版),2008(2):95-102. |
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| 作者姓名： | 颜纯钧 |
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| 作者单位： | 福建师范大学传播学院,福建,福州,350108 |
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| 摘 要： | 新中国的建立带来了中国电影发展的又一波动荡.由于政治地理的重新划分,电影的传播地理也随之发生变化.建国前后不同电影势力之间的交叉与互渗,在政治大局初定之后,新的传播格局也随之形成了.这个格局从20世纪50年代延续到70年代,在两岸三地的电影人逐步展开交流的情况下,才得以再一次改变.然而,它已经在中国电影百年的历史中留下了很深的印迹.
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| 关 键 词： | 中国电影 传播地理 传播格局 |
| 文章编号： | 1000-5285(2008)02-0095-08 |
| 修稿时间： | 2007年9月7日 |
From Communicating Geography to Communicating Pattern: A View of Chinese Cinema in 1950's |
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| YAN Chun-jun.From Communicating Geography to Communicating Pattern: A View of Chinese Cinema in 1950's[J].Journal of Fujian Normal University(Philosophy and Social Sciences Edtion),2008(2):95-102. |
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| Authors: | YAN Chun-jun |
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| Abstract: | The founding of People's Republic of China brought another wave shocks of Chinese cinema.The communicating geography of Chinese cinema changed along with the redistricting of political geography.Before and after the founding of the PRC,different force of Chinese cinema crossed and infiltrated each other.A new communicating pattern came into being following the primary establishment of political pattern.This pattern continued from 1950's to 1970's,and did not change until the filmdom of mainland gradually had intercourse with the filmdom of Taiwan and Hongkong.However,it has influenced profoundly over the centennial history of Chinese cinema. |
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| Keywords: | Chinese cinema communicating geography communicating pattern |
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