| 缠令考论 |
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| 引用本文： | 张晓兰.缠令考论[J].安阳师范学院学报,2006(1):88-90. |
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| 作者姓名： | 张晓兰 |
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| 作者单位： | 兰州大学,文学院,甘肃,兰州,730000 |
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| 摘 要： | 缠令兴起于北宋,消亡于元代,几与诸宫调相始终。缠令是同一宫调内诸种曲调相结合形成套数的首创,它与诸宫调一起,是我国元杂剧曲牌联套形式的开路先锋。缠令上承词体文学,下启戏曲文学,可谓两者之间的过渡桥梁。
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| 关 键 词： | 缠令 诸宫调 词体文学 戏曲文学 |
| 文章编号： | 1671-5330(2006)01-0088-03 |
| 收稿时间： | 2005-11-09 |
| 修稿时间： | 2005年11月9日 |
Study and Discussion on Chan ling |
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| ZHANG Xiao-lan.Study and Discussion on Chan ling[J].Journal of Aayang Teachers College,2006(1):88-90. |
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| Authors: | ZHANG Xiao-lan |
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| Institution: | College of literature, Lanzhou University, Lanzhou 730000, China |
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| Abstract: | Chan ling shaped in North-Song Dynasty and disappeared in Yuan Dynasty,and its life is almost as long as Zhugongdiao.Chan ling firstly created the using of series of Qu in the same Gongdiao to form a cycle of songs.Chan ling and Zhugongdiao are all the pioneer of the Yuan Zaju's using of cycle of songs,it carried Ci to Qu as a bridge between them. |
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| Keywords: | Chan ling Zhugongdiao origin development extinction |
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