| 论武术套路的表现性技击 |
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| 引用本文： | 刘树军,李通国.论武术套路的表现性技击[J].上海体育学院学报,2005,29(5):70-73. |
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| 作者姓名： | 刘树军 李通国 |
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| 作者单位： | 1. 上海体育学院,武术系,上海,200438
2. 上海体育学院,研究生处,上海,200438 |
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| 基金项目： | 上海市重点学科建设资助项目（T0902） |
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| 摘 要： | 运用艺术理论与方法，认为武术套路运动是一种表现性的技击而非真实的技击，提出了写意武术概念，并把它划分为哲理化武术、戏剧化武术、记述性武术等，以及通过对写意武术的文化渊源的分析研究，指出发展武术不应被“体操化、艺术化”等观念所束缚，在不失项目特色的前提下不断创新出适应时代要求的，为群众喜闻乐见的武术形式。
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| 关 键 词： | 武术套路 写实武术 写意武术 表现性技击 |
| 文章编号： | 1000-5498（2005）05-0070-04 |
| 收稿时间： | 2005-04-26 |
| 修稿时间： | 2005年4月26日 |
On Performing Skill and Trick of Wushu Routine |
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| LIU Shu-jun,LI Tong-guo.On Performing Skill and Trick of Wushu Routine[J].Journal of Shanghai Physical Education Institute,2005,29(5):70-73. |
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| Authors: | LIU Shu-jun LI Tong-guo |
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| Abstract: | With the application of art theory,it pointed out that Wushu routine was a kind of skill and trick with performing character rather than real attacking and defending arts,put forward the concept of free-sketch Wushu and classified it into philosophicalized Wushu,dramaticalized Wushu,narrative Wushu and so on.It also pointed out,through the analysis and study of the cultural origins of free sketch Wushu,that the development of Wushu shouldn't be fettered by the ideas of gymnasticalization and artisticalization etc.but ought to create new forms catering for the time and to the popular taste of the public. |
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| Keywords: | Wushu routine realistic Wushu free- sketch Wushu performing skill and trick |
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