| 《白雪公主之魔镜魔镜》的派生与超越 |
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| 引用本文： | 李姝颖.《白雪公主之魔镜魔镜》的派生与超越[J].潍坊教育学院学报,2013,26(1):67-69. |
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| 作者姓名： | 李姝颖 |
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| 作者单位： | 汉口学院外语学院,武汉,430200 |
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| 摘 要： | 从互文性角度对名导塔西姆.辛的《白雪公主之魔镜魔镜》进行解读,其电影在参照了格林版《白雪公主》的文本主线的同时,在角色和人物关系的塑造上进行派生、超越。该电影对童话进行了全新的演绎和诠释,丰富了童话的寓意,故事映照出现代社会的人物特点。
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| 关 键 词： | 互文性 派生 《白雪公主之魔镜魔镜》 |
Derivation and Transcendance in Mirror Mirror |
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| LI Shu-ying.Derivation and Transcendance in Mirror Mirror[J].Journal of Weifang Educational College,2013,26(1):67-69. |
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| Authors: | LI Shu-ying |
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| Institution: | LI Shu-ying(Institute of Foreign language,Hubei Hankou University,Wuhan 430200) |
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| Abstract: | This paper analyzes the film Mirror Mirror directed by famous director Tarsem Singh from the perspective of intertextuality.The roles and relationship of characters are derived and trnascended in the film in light of the Green's version text Snow White.The film deduces and interprets the fairy tale in an absolutely new way,enriching the implication;at the same time,making the story shine the glory of modern people's characters. |
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| Keywords: | intertexuality derivation Mirror Mirror |
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