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海德格尔论诗歌的本质
引用本文:黄其洪.海德格尔论诗歌的本质[J].太原大学学报,2006,7(4):4-7.
作者姓名:黄其洪
作者单位:吉林大学,哲学社会学院,吉林,长春,130012
摘    要:诗看起来就像一种游戏,而实则不然。游戏虽然把人们带到一起,但在其中每个人恰恰都把自身忘记了。相反地,在诗中,人被聚集到他的此在的根基之上。人在其中达乎安静,当然不是达乎无所作为、空无心思的假宁静,而是达乎那种无限的宁静,在这种宁静中一切力量和关联都是活跃的。诗给人非现实和梦幻的假象,似乎诗与我们在其中十分亲切熟稔的触手可及的喧嚣现实是相对立的。实则不然。相反地,诗人所道说的和采纳的乃是现实的东西。所以,诗的本质貌似浮动于其外观的固有假象上,而其实是最为确定的东西。

关 键 词:  语言  存在  宁静
文章编号:1671-5977(2006)04-0004-04
收稿时间:2006-07-14
修稿时间:2006年7月14日

Heidgger's View on the Nature of Poem
HUANG Qi-hong.Heidgger''''s View on the Nature of Poem[J].Journal of Taiyuan University,2006,7(4):4-7.
Authors:HUANG Qi-hong
Abstract:Poem is like a game.It is not necessarily the case,however.Game brings people together,in which everyone forgets himself.On the contrary,in poem,people are gathered on their present foundation,where they are almost in quietness.Of course,it not actionless,empty and false quietness,but limitless quietness,in which every element is active.Poem may provide people with imaginary and illustrative feeling.It is opposite to our familiar noisy reality.However,what a poet says and adopts is something real.Therefore,though the nature of poem seems flow on its outer false appearance,it is something the most specific.
Keywords:poem  language  quietness  
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