| 临别挥戈,变徵声中鼙鼓--王鹏运离别词论 |
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| 引用本文： | 刘红麟.临别挥戈,变徵声中鼙鼓--王鹏运离别词论[J].河池学院学报,2005,25(3):42-45. |
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| 作者姓名： | 刘红麟 |
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| 作者单位： | 苏州大学,中文系,江苏,苏州,215021 |
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| 摘 要： | 王鹏运是晚清桂林词人。生当艰危末世，家国身世之感，触发于别离之际，使其离别词表现出明显的时事性，其情感内涵深厚，是人生各种悲剧意识的大融合，忠君之忱与济世之心，是离别词的重要内涵。其风格表现为沉雄悲壮。
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| 关 键 词： | 悲歌 离别 时事性 大融合 风格 |
| 文章编号： | 1672-9021(2005)03-0042-04 |
| 修稿时间： | 2005年3月18日 |
Wave the Sword on Departure and Play the War Drum in Sad Melody --To Wang Pengyun's poetry of separation |
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| LIU Hong-lin.Wave the Sword on Departure and Play the War Drum in Sad Melody --To Wang Pengyun''''s poetry of separation[J].Journal of Hechi University,2005,25(3):42-45. |
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| Authors: | LIU Hong-lin |
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| Abstract: | Wang Pengyun was a famous poet in GUILIN during the last years of Qing Dynasty. He was always motivated a sign to the lot of the country and families in the dangerous and difficult period while on departure so that in his Ci-poems concerning separation, the current situations were apparently reflected for the purpose of expressing his great zeal of devoting himself to the monarch and the society. His Ci-poems of this type, which contained profound connotation of emotion feeling, fused all kinds of tragic consciousness about life. And the style was deep, sorrowful but grand and strong. |
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| Keywords: | Threnody separation fused style |
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