| 《诗经》重章叠沓艺术新论 |
| |
| 引用本文： | 任树民.《诗经》重章叠沓艺术新论[J].唐山学院学报,2010(5):47-48,51. |
| |
| 作者姓名： | 任树民 |
| |
| 作者单位： | 北华大学文学院,吉林吉林,132013 |
| |
| 摘 要： | 重章叠沓是《诗经》重要的抒情体式之一。塑成《诗经》这一复沓艺术的质素有三,即民间性、表演性以及场合性。这三个方面不仅共同塑成了《诗经》中叠咏复沓艺术的反复使用,而且也决定了《风》诗与《小雅》重章叠沓,但《颂》诗与《大雅》中却很少运用。
|
| 关 键 词： | 《诗经》 重章叠沓 表演预设 演奏场所 |
New Points of View on the Employment of Repetition in the Book of Songs |
| |
| REN Shu-min.New Points of View on the Employment of Repetition in the Book of Songs[J].Journal of Tangshan College,2010(5):47-48,51. |
| |
| Authors: | REN Shu-min |
| |
| Institution: | REN Shu-min (College of Literature,Beihua University,Jilin 132103,China) |
| |
| Abstract: | Repetition as a rhetorical device is one of the important ways to express emotion in the Book of Songs. Basic reasons for this feature are the civilian aspect, performance orientation and background restraint of the Book of Songs and not only caused the widespread use of repetition, but also determined the abundance of Feng and XiaoYa in the book but repetition was used once in a blue moon in Song and Da Ya. |
| |
| Keywords: | Book of Songs repetition performance orientation performing site |
| 本文献已被 维普 万方数据 等数据库收录！ |
|
