| “气韵生动”的生态审美精神 |
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| 引用本文： | 邵金峰.“气韵生动”的生态审美精神[J].哈尔滨学院学报,2012,33(6):23-29. |
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| 作者姓名： | 邵金峰 |
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| 作者单位： | 许昌学院文学院,河南许昌,461000 |
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| 基金项目： | 河南省教育厅人文杜科研究项目;项目 |
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| 摘 要： | “气韵生动”是南齐画家谢赫首先提出的美学范畴，是我国绘画创作与批评的最高准则和历代画家所追求的最高境界。“气韵生动”的哲学基础是我国古代的生命哲学和元气本根论思想，是饱含生态意识的关学之思。“气韵生动”标举的是生命的自然节奏，是对浑沦一气的宇宙生命的礼赞。“气韵生动”的宇宙生命是艺术家表现的审美本体，也是中国艺术生态审美精神之所在。
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| 关 键 词： | 气韵生动 生命精神 元气本根论 生态审美精神 |
The Eco-Aesthetic Spirit of the ＂Vivid Artistic Conception＂ |
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| SHAO Jin-feng.The Eco-Aesthetic Spirit of the ＂Vivid Artistic Conception＂[J].Journal of Harbin University,2012,33(6):23-29. |
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| Authors: | SHAO Jin-feng |
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| Institution: | SHAO Jin-feng(Xuchang University,Xuchang 461000,China) |
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| Abstract: | The "vivid conception" is the aesthetic idea proposed by XIE He,artist in Southern Qi Dynasty.It is the superior standard for the Chinese painting in terms of creation and criticism and the highest goal for all the painters.The philosophical base of "vivid conception" is the ancient Chinese life philosophy and vitality theory.It is the aesthetic philosophy with eco-awareness.The "vivid conception" prefer to the natural rhythm of life and worship to the cosmic life.It is the ontology that artists try expressing and also the aesthetic spirit of Chinese arts. |
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| Keywords: | vivid conception life spirit the ontology of vitality eco-aesthetie spirit |
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