| 从“末五子”到许学夷：格调论唐诗学的深化与蜕变 |
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| 引用本文： | 查清华.从“末五子”到许学夷：格调论唐诗学的深化与蜕变[J].上海师范大学学报(基础教育版),2004,33(3):93-97. |
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| 作者姓名： | 查清华 |
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| 作者单位： | 上海师范大学人文与传播学院，上海200234 |
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| 摘 要： | 格调论唐诗学走向深化的主要标志,是对唐诗体格的精微辨析,以及对唐诗演变进程的清晰勾画。与此同时,唐诗范型全面细化和接受视野走向开放;在处理诗人才情与唐诗格调的关系时,对才情重视的程度和理解的深度,远超此前的格调论者。整个过程不断趋于精微、不断走向完善,但也标志着格调论唐诗学逐步走向蜕变。
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| 关 键 词： | 格调论 唐诗学 七子派 |
| 文章编号： | 1004-8634(2004)03-0093-(05) |
| 修稿时间： | 2003年12月15 |
The Deepening and Transforming of Tang Poetics in the Stylistic Theory |
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| ZHA Qinghua.The Deepening and Transforming of Tang Poetics in the Stylistic Theory[J].Journal of Shanghai NOrmal University,2004,33(3):93-97. |
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| Authors: | ZHA Qinghua |
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| Abstract: | The main indicator of the stylistic theory showing that poetics in the Tang Dynasty was flourishing is that studies of poetry in the Tang Dynasty present profound analyses of the form of Tang Poems and distinctly delineate their development process. Meanwhile, the Tang poem models become fine and subtle and more open to ideas and values. While handling the relationship between poets' talents & feelings and the style of Tang poems, they value the former more highly and appreciate it more profoundly than those stylistic scholars before them The whole process inclines to be delicate and grow perfect continuously , which indicates that Tang poetics in the stylistic theory was transforming progressively |
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| Keywords: | stylistic theory Tang poetics Seven - Person School |
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