| 南宗人物画的流变与审美取向 |
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| 引用本文： | 黄志强.南宗人物画的流变与审美取向[J].福建师范大学学报(哲学社会科学版),2012(4):119-124. |
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| 作者姓名： | 黄志强 |
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| 作者单位： | 泉州师范学院美术与设计学院,福建泉州,362000 |
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| 摘 要： | "南北宗"论是中国明代书画家董其昌借鉴禅宗二派的分法,将中国画史分为"南北宗"的理论创新,其主要贡献是中国画流派理论体系的构建,学术指向是古代山水画,对明、清两代的中国画发展影响甚大。那么既然有"南北宗"的山水画,就必然有"南北宗"的人物画,本命题就是这样产生的。南宗人物画以写意为创作形式,因而它在中国古代绘画史上留下了浓重的一笔。目前研究南、北宗山水画的人很多,而研究南、北宗人物画和花鸟画者"鲜有闻"。所以梳理南宗人物画发展脉络,解读南宗人物画风格流变和审美取向,具有填补南宗人物画研究空白的意义。
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| 关 键 词： | 南宗人物画 风格流变 写意 审美取向 |
The Transformation and Aesthetic Orientation of Southern School Figure Painting |
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| HUANG Zhi-qiang.The Transformation and Aesthetic Orientation of Southern School Figure Painting[J].Journal of Fujian Normal University(Philosophy and Social Sciences Edtion),2012(4):119-124. |
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| Authors: | HUANG Zhi-qiang |
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| Institution: | HUANG Zhi-qiang(Fine art and Design College of Quan Zhou Normal University,Quianzhou 362000,China) |
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| Abstract: | "North-South school" theory is a dichotomy method that Chinese Ming Dynasty painter Dong Qi-chang drew on Zen,which,meriting innovation theoretically,divides the history of Chinese painting into "North-South school".Its main contribution is the construction of the theoretical system of Chinese painting schools and its academic focus is ancient landscape painting,which has in——depth influence upon two generation’s Chinese painting development of Ming and Qing Dynasties.Now that there is "North-South school" landscape painting,there exists inevitably "North-South school" figure painting,hence the proposition per se will be.With its enjoyable drawings,Southern school figure painting has a pivotal status in the history of ancient Chinese painting.At the present,there are a great number of people studying South and North landscape paintings, but few of them dealing with South and North figure painting as well as flower and bird painting.Therefore,combing the development of South school figure painting and illustrating the transformation as well as aesthetic orientation of Southern school figure painting is of great importance to fill up researching vacancy of Southern school figure painting. |
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| Keywords: | Southern school figure painting style transformation enjoyable drawings aesthetic orientation |
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