| 论塞尚对绘画新的形式美感探索 |
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| 引用本文： | 王小珺.论塞尚对绘画新的形式美感探索[J].毕节学院学报,2009,27(2). |
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| 作者姓名： | 王小珺 |
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| 作者单位： | 西北师大美术学院,甘肃,兰州合作师专美术系,甘肃,合作,747000 |
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| 摘 要： | 塞尚坚持把表现他独特的艺术真实性作为毕生的追求目标,为了达到这一真实.运用了一系列的绘画语言,它打破传统三维透视对画面的约束力,在画面上创造出新的空间强调绘画色彩相互之间的对比产生出永恒色彩的魅力.轮廓线与色彩的重新组合,增强了绘画语言之间的张力冲突.从而创造出一种全新的绘画体系,继而开创了现代艺术的先河,被誉为现代绘画之父.
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| 关 键 词： | 塞尚 透视 色彩 外轮廓线 |
The Beauty Sense of Format about Cezanne's Painting |
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| WANG Xiao-jun.The Beauty Sense of Format about Cezanne's Painting[J].Journal of Bijie University,2009,27(2). |
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| Authors: | WANG Xiao-jun |
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| Institution: | College of Arts;Northwest Normal University;Lanzhou;Gansu730070;China |
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| Abstract: | Cezanne insists on his distinct of art validity.He uses a serial of drawing language to get the reality,he breaks through the restrain of traditional 3D Dias copy of the picture,to create the new vacuity in the picture,to emphasize the contrast of the colors and bring about permanence charming from colors.The contour line and colors strengthened the conflict of drawing languages accordingly to create new drawing system and to start modern art situation,so he is called " the father of the modern painting ". |
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| Keywords: | Cezanne Perspective Color Outside Contour Line |
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