| 用感官盛宴的艺术思维设计电影服饰 |
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| 引用本文： | 郑湛,沈祥胜.用感官盛宴的艺术思维设计电影服饰[J].武汉职业技术学院学报,2012,11(1):95-97. |
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| 作者姓名： | 郑湛 沈祥胜 |
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| 作者单位： | 1. 武汉纺织大学,湖北武汉,430073
2. 武汉大学,湖北武汉,430072 |
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| 摘 要： | 电影艺术离不开用特定的视听语言来表现和吸引人们的注意力,电影中的服饰设计作为影视美术的重要的部分参与电影的叙述和人物塑造并不是将自己隐藏在电影和人物背后,相反,是对影片的视觉形式起了致关重要的作用。基于对感官盛宴的概念和感官盛宴的艺术思维阐述,通过对多部电影中服装设计特点的解析,归纳提出服装设计的"庞大感"能够增强人物在视觉上的力度,服装设计的"奢华感"能够渲染出影片的视觉质感。
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| 关 键 词： | 电影服饰 视觉形式 感官盛宴 艺术思维 |
Sensory Feast- An Artistic Design Technique for Comic Costumes |
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| Institution: | ZHENG Zhan1 SHENG Xiang-shen2 (1.Wuhan Textile University,Wuhan430073,China;2.Wuhan University,Wuhan430072,China) |
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| Abstract: | Film artists rely on sensational visual and audible elements to attract audience’s attention mainly.The paper recognizes that as an important part of the film arts and visual element in the movie,comic costumes are involved not only in telling story and creating characters but also in producing visual effect.To begin with,the paper elaborates the conception of sensory feast and its artistic thinking.Then it analyzes the artistic characteristics of costumes used in several movies and concludes that where Sense of Giant is produced in the design of the costume,images are reinforced visually,while the Sense of Luxury from the costume can create a tactile sensation. |
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| Keywords: | comic costume visual representation sensory feast artistic thinking |
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