| 审美现代性视域下中国美学的现代转型 |
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| 引用本文： | 李营营.审美现代性视域下中国美学的现代转型[J].锦州师范学院学报(哲学社会科学版),2014(2):135-140. |
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| 作者姓名： | 李营营 |
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| 作者单位： | 北京语言大学人文学院,北京100083 |
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| 基金项目： | 北京语言大学研究生创新基金项目（项目编号：13YCX199） |
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| 摘 要： | 20世纪中国社会的现代化作为中国美学现代转型的总体性背景，造成了美学学科品格与中国美学实际间的长期错位，具体表现为提倡无功利化、艺术自律性的美学在中国发挥了关键性的社会启蒙作用，这不能不说是中国美学的一种悲哀。然而，仍需指出的是，虽然中国美学在面对外在社会实际时暂时隐匿了批判性锋芒，但却始终未曾放弃学科自身内在的理论反思，四次比较明显的现代转型便是一种明证。
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| 关 键 词： | 审美现代性 中国美学 现代转型 无功利化 马克思主义美学 主体性 日常生活审美化 |
Modern Transformation of Chinese Aesthetics from Perspective of Aesthetic Modernity |
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| LI Ying-ying.Modern Transformation of Chinese Aesthetics from Perspective of Aesthetic Modernity[J].Journal of Jinzhou Teachers College(Philosophy and Social Scienae Edition),2014(2):135-140. |
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| Authors: | LI Ying-ying |
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| Institution: | LI Ying-ying (College of Humanities, Beijing Language and Culture University, Beijing 100083, China) |
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| Abstract: | In the twentieth century, Chinese social modernization led to the long-term separation of the disciplinary quality of aesthetics from the practical situation of Chinese aesthetics, such as the advocacy of non-utilitarianism, self-discipline of arts, etc. But it still needs to be pointed out that, though it displays no critical viewpoints, Chinese aesthetics persistently adheres to its theoretical reflection, which can he verified by the four obvious modern transformations. |
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| Keywords: | aesthetio modernity Chinese aestheties modern transformation： non-utilitarianism Marxism aesthetics subjectivity daily life aesthetics |
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