| 文化霸权视角下布兰奇的悲剧命运解读 |
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| 引用本文： | 李玲梅.文化霸权视角下布兰奇的悲剧命运解读[J].南昌教育学院学报,2013(9):27-28. |
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| 作者姓名： | 李玲梅 |
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| 作者单位： | 浙江师范大学外国语学院 |
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| 摘 要： | 田纳西威廉斯自己的文学创作始终致力于表现"脆弱的美丽"和"残酷的现实"之间的矛盾。《欲望号街车》也同样呼应着这一主题,它关注了美国主流文化下被边缘的亚文化个体以及他们所面对的残酷现实。在这一戏剧中,作者藉由布兰奇的个人悲剧命运,控诉了美国现当代社会的主流文化对亚文化进行迫害的事实。布兰奇作为亚文化的符号和代表所遭受的不公与残酷,揭示了工业文明对农业文明的压制和破坏。
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| 关 键 词： | 文化霸权 亚文化 农业文明 工业文明 |
Interpretation on the tragic fate of Blanche from the perspective of cultural hegemony |
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| Li Ling-mei.Interpretation on the tragic fate of Blanche from the perspective of cultural hegemony[J].Journal of Nanchang College of Education,2013(9):27-28. |
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| Authors: | Li Ling-mei |
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| Institution: | Li Ling-mei;School of Foreign Languages, Zhejiang Normal University; |
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| Abstract: | Tennessee Williams’ writing always focus on the contradiction and conflict between the "fragile beauty" and "brutal reality".The play A Streetcar Named Desire is consistent with his writing intention.It pays a close attention to the people belong to the subculture group and their tragic life,under the persecution of the mainstream culture in the United States.In this play,Blanche and Alan are symbols of those different subcultures,i.e.,the declining southern agricultural civilization and the minor non-heterosexual culture.Their tragic ending indicates southern agricultural civilization is destroyed by the northern industrial civilization,and non-heterosexual culture suppressed by heterosexual culture. |
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| Keywords: | cultural hegemony subculture agricultural civilization industrial civilization |
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