| 唐人对意境理论的贡献 |
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| 引用本文： | 王丽.唐人对意境理论的贡献[J].安徽广播电视大学学报,2009(1):84-87. |
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| 作者姓名： | 王丽 |
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| 作者单位： | 毕节学院教育科学系,贵州,毕节,551700 |
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| 摘 要： | 在唐代先后曾有王昌龄、皎然、司空图分别提出“诗三境说”、“取境说”、“韵味说”，从诗人的角度阐述了各自对意境营造的独到见解。另外一些诗人的诗歌理论对意境的生发也多有涉及。唐人对意境现象进行思考的深度、广度以及参与研究者的数量超过古代其他任一时期，自发形成了唐代集体性参与意境学说研究的局面，从而形成了唐人对意境理论作出杰出贡献的集体性特色。
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| 关 键 词： | 意境理论 意境说 王昌龄 皎然 司空图 |
The Contributions of People in Tang Dynasty to the Theory of Artistic Conception |
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| WANG Li.The Contributions of People in Tang Dynasty to the Theory of Artistic Conception[J].Journal of Anhui Television University,2009(1):84-87. |
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| Authors: | WANG Li |
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| Institution: | Education Scientific Department of Bijie University;Bijie 551700;China |
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| Abstract: | In Tang Dynasty,Wang Changling,Jiao Ran,and Si Kongtu have proposed theory of "Three Conceptions",the theory of Selection of Conceptions and "the theory of Rhyme"respectively,they elaborate their own insights on the creation of artistic conception from the poet's perspective.In addition,these theories have lated the foundation for the artistic conception of Chinese poem. |
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| Keywords: | theory of artistic conception artistic conception Wang Changling Jiao Ran Si Kongtu |
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