| "文字短长,视其人之笔性"——李渔论宾白字数的多与少 |
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| 引用本文： | 骆兵."文字短长,视其人之笔性"——李渔论宾白字数的多与少[J].浙江教育学院学报,2007(2):84-88,102. |
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| 作者姓名： | 骆兵 |
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| 作者单位： | 江西财经大学,艺术与传播学院,江西,南昌,330013 |
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| 摘 要： | 清初的李渔在中国古代戏曲理论史上具有重要地位,其戏曲理论的创新性之一就是不乏哲学思辨。这一特点突出地表现在李渔关于宾白字数的多与少的论述上。研究和认识李渔戏曲理论的艺术辩证论,对提高当代戏曲创作的思想性和艺术性,进一步发展与繁荣具有中国民族特色的戏曲艺术,满足现阶段广大人民群众日益增长的精神生活需要,建设社会主义先进文化具有重要的现实意义。
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| 关 键 词： | 李渔 戏曲 宾白 对立统一 |
| 文章编号： | 1671-6574（2007）02-0084-05 |
| 修稿时间： | 2007-01-25 |
The Length of Writing Depending on Writer's Characteristics in Writing——Li Yu's Comments on the Length of Dialogues |
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| LUO Bing.The Length of Writing Depending on Writer''''s Characteristics in Writing——Li Yu''''s Comments on the Length of Dialogues[J].Journal of ZHEJIANG Education Institute,2007(2):84-88,102. |
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| Authors: | LUO Bing |
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| Institution: | Art and Media School,Jiangxi University of Finance and Economy, Nanchang 330013, China |
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| Abstract: | Li Yu played a very important role in the history of China's ancient dramatic theory.One of the originalities in the theory is its richness in philosophy thinking which is especially shown in the statement on the length of dialogues.The study and realization of the artistic dialectics of Li Yu's dramatic theory are of important realistic significance in enhancing the ideological and artistic levels,further developing and prospering dramatic art with Chinese characteristics,meeting the constantly increasing spiritual demand of the pubilc,and building an advanced culture. |
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| Keywords: | Li Yu drama dialogue unity of opposites |
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