| 流动装置的艺术张力——《威尼斯收租院》的混乱美学 |
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| 引用本文： | 林叶薇.流动装置的艺术张力——《威尼斯收租院》的混乱美学[J].福建教育学院学报,2003,4(7):43-45. |
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| 作者姓名： | 林叶薇 |
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| 作者单位： | 福建教育学院美术系,福建,福州,350001 |
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| 摘 要： | 蔡国强的创作以其空间达到完美的平衡 ,通过让实体与时间性的函构疏离来质疑艺术的正史、功能性、以及艺术的史诗传统。以作品的多义性、多重性来寻找世界深层的混乱 ,“混乱”背后有“秩序” ,“混乱”就不只是一种风格 ,其已成为一种美学。
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| 关 键 词： | 行为艺术 现时性装置 解构 时空再创造 |
Art Tensility of Flowing Apparatus——Anarchy Esthetics of Venice Reprise Yard |
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| LIN Ye-wei.Art Tensility of Flowing Apparatus——Anarchy Esthetics of Venice Reprise Yard[J].Journal of Fujian Education Institute,2003,4(7):43-45. |
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| Authors: | LIN Ye-wei |
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| Abstract: | Cai guoqiang's creations have quested the deep-seated anarchy in the world by the perfect balance of their space,by oppugning the official history,function and epode system of art,by the analyses and construction and alienation of entelechy and timeliness,and by the multivalence and multiplicity of his opus.When there is an order hidden in,the anarchy is not only a kind of style but also a kind of esthetics. |
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| Keywords: | behavior art realistic apparatus analyses and construction recreation of space-time |
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