| 清代宫廷音乐的乐器编配及其历史意义 |
| |
| 引用本文： | 别敏.清代宫廷音乐的乐器编配及其历史意义[J].承德师专学报,2003,23(3):30-32. |
| |
| 作者姓名： | 别敏 |
| |
| 作者单位： | 中国人民大学艺术教育中心 北京 |
| |
| 摘 要： | 从历史发展看,清代统治集团以开放吸纳的态度对待中华各民族的音乐及乐器,从而形成了清代宫廷音乐民族融合的特点:一是乐器繁复,二是乐曲众多。这种特点说明,中华民族是一个民族融合体,只有不断吸纳新的事物才能保持先进性,中华民族具有强大的凝聚力。
|
| 关 键 词： | 清代宫廷音乐 乐器繁复 凝聚作用 融合 |
| 文章编号： | 1005-1554(2003)03-0030-03 |
| 修稿时间： | 2002年10月14日 |
The Orchestration of the Court Music in Qing Dynasty and Its Historical Significance |
| |
| BIE Min.The Orchestration of the Court Music in Qing Dynasty and Its Historical Significance[J].Journal of Chengde Teachers College for Nationalities,2003,23(3):30-32. |
| |
| Authors: | BIE Min |
| |
| Abstract: | From the perspective of the process of history, we can see that the ruling clique in Qing Dynasty absorbed the Chinese music and musical instruments of the nationalities, and evolved its own characteristics of the fusion of nationalities. One is the complexity of musical instrument and its abundance. It displays that the Chinese nation is a fusion of multi-nationalities. Only by assimilating new things can we keep its advanced level, its cohesion and its centripetal force. |
| |
| Keywords: | the court music in Qing Dynasty the complexity of the musical instrument the cohesion the fusion |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
