| 不同艺术样式之间“身体”转换的多重意义——《戴珍珠耳环的少女》从油画到同名小说、电影的艺术转化 |
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| 引用本文： | 张雯.不同艺术样式之间“身体”转换的多重意义——《戴珍珠耳环的少女》从油画到同名小说、电影的艺术转化[J].重庆教育学院学报,2010,23(1):133-137. |
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| 作者姓名： | 张雯 |
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| 作者单位： | 南京大学,文学院,南京,210093 |
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| 摘 要： | 《戴珍珠耳环的少女》从画作到小说再到电影，女孩的身体经过多重转换，具有多重意义。从时间维度和空间维度来看。画作具有的永恒凝固性对应的是身体的仪式化——“被看”；同名小说具有的强烈时间性和人物视点设置的内在性决定了身体的“看”；同名电影，身体则处于“被看”的地位，电影画面的流动性又使这种“被看”与绘画中的凝视有着本质区别。以“身体”作为出发点，恰当解决在转化中所面临的艺术形式冲突问题，在不同艺术样式之问，是存在着转化的可能的。
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| 关 键 词： | 《戴珍珠耳环的少女》 身体 转换 |
Conversion of the triple body: on the "Girl with a Pearl Earring" From paintings to fiction to the film |
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| ZHANG Wen.Conversion of the triple body: on the "Girl with a Pearl Earring" From paintings to fiction to the film[J].Journal of Chongqing College of Education,2010,23(1):133-137. |
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| Authors: | ZHANG Wen |
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| Institution: | ZHANG Wen (School of Arts, Nanjing University, Nanjing 210093, China) |
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| Abstract: | In this paper, from picture to novel to film, the ＂Gill with a Pearl Earring＂ to discuss the ＂body＂ element is intended as a table in between the different artistic styles and has the meaning and value of such significance. According to time and space dimension, the picture has eternal solidification which is the image of body being seen. The novel which has the same name of the picture has strong time dimension and figure viewpoint internality determines the seeing of the body. The film which has the same name of the novel makes the body seen. The flowing of film picture makes the ＂seen＂ have the basic difference with the picture. Based on the ＂body＂, properly transforming the artconflict between arts forms is possible. |
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| Keywords: | Girl with a Pearl Earring body conversion |
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