| 陶渊明符号化及其田园意象之滥觞 |
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| 引用本文： | 王文岭.陶渊明符号化及其田园意象之滥觞[J].南京晓庄学院学报,2007,23(1):29-33. |
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| 作者姓名： | 王文岭 |
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| 作者单位： | 南京晓庄学院,陶行知研究所,江苏,南京,210038 |
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| 摘 要： | 在陶渊明接受史上,学者大抵认同陶渊明的声名由唐到宋而至极盛。然而就晋末至南北朝的江州而论,陶渊明生前并不寂寞,身后亦非萧瑟。萧梁时期,陶渊明已经被抽象为一个符号,在其人品被推崇的同时,他诗文中的田园意象对梁陈君臣的作品已产生影响,此为唐人接受作了准备。
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| 关 键 词： | 陶渊明 江州 田园意象 |
| 文章编号： | 1009-7902（2007）01-0029-05 |
| 收稿时间： | 2005-10-18 |
| 修稿时间： | 2005年10月18 |
Symbolization of Tao Yuanming and Beginning of Idyllic Image |
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| WANG Wen-ling.Symbolization of Tao Yuanming and Beginning of Idyllic Image[J].Journal of Nanjing Xiaozhuang College,2007,23(1):29-33. |
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| Authors: | WANG Wen-ling |
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| Abstract: | Most scholars have recognized that the fame of Tao Yuanming reached its peak ever since Tang and Song Dynasties in terms of the history of the acceptance of Tao Yanming.However,Tao Yuanming was not lonely during his lifetime,nor was his fame unknown after his death.His name was symbolized during the Liang Dynasty.While Tao Yuan ming's personal quality was being held in high esteem,the idyllic images in his poems and verses were beginning to influence the emperors and officials of the Liang and Chen Dynasties.It thus prepared the acceptance by the people in the Tang Dynasty. |
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| Keywords: | Tao Yuanming iangzhou idyllic images |
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