| 文艺美学学科的形成及其特点 |
| |
| 引用本文： | 陈伟.文艺美学学科的形成及其特点[J].上海师范大学学报(基础教育版),2004,33(1):52-57. |
| |
| 作者姓名： | 陈伟 |
| |
| 作者单位： | 上海师范大学人文与传播学院 上海200234 |
| |
| 摘 要： | 本文以马克思主义的历史唯物主义观点为指导,从文艺美学学科产生的历史条件和社会要求来分析这个学科在上世纪80年代的应运而生,指出它的形成是中国国情的产物。同时认为,文艺美学在中国的诞生还有它的民族性基础和历史性基础:它是中国美学思想的表述方式,是中国传统文艺实践的评价准则。文艺美学与美学、文艺理论的学科区别主要体现在研究对象和研究视角上、研究的出发点和研究的方法上以及研究所用的学科话语上。
|
| 关 键 词： | 文艺美学 学科 民族性 |
| 文章编号： | 1004-8634(2004)01-0052-(06) |
| 修稿时间： | 2003年5月13日 |
The Shaping of Aesthetics of Literature and Art and Its Characteristics |
| |
| CHEN Wei.The Shaping of Aesthetics of Literature and Art and Its Characteristics[J].Journal of Shanghai NOrmal University,2004,33(1):52-57. |
| |
| Authors: | CHEN Wei |
| |
| Abstract: | Although aesthetics of literature and art is a new subject which took shape in1980's, yet so far it has not been defined as a discipline. That is why there are some people who go so far as to even doubt the "legitimacy" of its existence. Guided by Marxist's views of historical materialism and considering from the historical conditions in which it was born and the social requirements that promoted its birth, the author analyzes the emergence of Aesthetics of Literature and Art in the historic 1980's and points out that it resulted from the social conditions which prevailed in that particular period in China. Meanwhile, the paper argues that Aesthetics of Literature and Art, which is based on the nationality and history in China, is the expressive mode of aesthetic ideas in China and the criterion for evaluation of traditional Chinese literature and art practice. Aesthetics of Literature and Art as a discipline is distinct from Aesthetics and Theory of Literature and Art mainly in terms of research objects, research perspectives, points of departure for study, research methods and disciplinary discourse used in research. |
| |
| Keywords: | Aesthetics of Literature and Art subject nationality |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
|
