| 叙事的式微 景观的狂欢——张艺谋电影的文化解读 |
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| 引用本文： | 张宏树.叙事的式微 景观的狂欢——张艺谋电影的文化解读[J].信阳师范学院学报(哲学社会科学版),2005,25(4):102-105. |
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| 作者姓名： | 张宏树 |
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| 作者单位： | 湖北民族学院,文学院,湖北,恩施,445000 |
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| 摘 要： | 张艺谋电影历来备受争议，特别是《英雄》、《十面埋伏》放映后，一边是评论界、媒体的口诛笔伐，一边是观众涌入影院，票房收入高扬。究其原因是由于视觉文化语境中文化精英的失语——影评人面对“叙事电影”到“景观电影”的变迁，无法解读“电视人”“跟着感觉走”的视觉消费。从而导致一边是大众的视觉狂欢，一边是文化精英对电影的叙事解读的固守所引发的社会失序。
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| 关 键 词： | 张艺谋电影 视觉文化 景观电影 电视人 |
| 文章编号： | 1003-0964（2005）04-0102-04 |
| 收稿时间： | 2004-12-16 |
| 修稿时间： | 2004年12月16 |
The decline of narration and the revelry of spectacle --A cultural study on the films directed by ZHANG Yi-mou |
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| ZHANG Hong-shu.The decline of narration and the revelry of spectacle --A cultural study on the films directed by ZHANG Yi-mou[J].Journal of Xinyang Teachers College(Philosophy and Social Sciences Edition),2005,25(4):102-105. |
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| Authors: | ZHANG Hong-shu |
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| Abstract: | The films directed by ZHANGYi-mou have been all along under controversy, especially after the release of "Heroes" and "House of Flying Dangers". On one hand, his films have received a lot of condemns in speech or writing from the critical circle and media; on the other hand, a large number of audiences burst into theatres to see his films and the income of the box office increase. This owes much to the distorted interpretation of the culture elitist, namely, the film reviewer couldn't interpret the TV watcher' visual consumption in the form of following their sensation when facing the shift of narration film to spectacle one. Accordingly, this leads to the public visual revel on one side and on the other side the social disorder caused by the culture elitist's insisting on the film. |
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| Keywords: | films directed by ZHANG Yi-mou visual culture spectacle film TV watcher social disorder |
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