| “理想”和“梦”的差异－论无名氏的前期创作及其与时代主导文学的疏离 |
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| 引用本文： | 耿传明.“理想”和“梦”的差异－论无名氏的前期创作及其与时代主导文学的疏离[J].天津师范大学学报(社会科学版),2001(4):50-56. |
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| 作者姓名： | 耿传明 |
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| 作者单位： | 南开大学,文学院,天津,300071 |
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| 摘 要： | 抗战时期无名氏的创作经历了一个与其时人的主导文学由亲和到蔬离的过程，《北极风情画》和《塔里的女人》的“成功”，是他以一种“轻逸”姿态跃然于沉重的“时代写作”之上，确立其创作中的审美个人主义原则的开始，《北》和《塔》的意义在于，它使被严峻的时代压抑下去的个人性，浪漫性话语重新浮出了海面，它与“时代写作”的内在差异在于一种“梦”和“理想”的差异，由此无名氏进一步走向了与时代主导文学的倾向相异的个人化的写作方式。
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| 关 键 词： | 小说 《塔里的女人》 《水极风情画》 爱情悲剧 个人性原则 无名氏 审美 唯美主义 道法理性 |
| 文章编号： | 1671-1106(2001)04-0050-07 |
| 修稿时间： | 2001年2月18日 |
Difference Between "Ideal" and "Dream"--Thesis on Earlier Works of WuMing-shi and its Alienation from the "Time Writing" |
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| GENG Chuan,ming.Difference Between "Ideal" and "Dream"--Thesis on Earlier Works of WuMing-shi and its Alienation from the "Time Writing"[J].Journal of Tianjin Normal University(Social Science),2001(4):50-56. |
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| Authors: | GENG Chuan ming |
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| Abstract: | WuMing-shi's earlier works experinced a process from intimacy with to alienation from "time writing". The success of WuMing shi'novels. Paint of Amorous Feelings in the South Pole and Woman in the Tower,was due to his choise between "lightness" and "heaviness". From that, he affirmed the principal of romantic individuality in his writing. The significance of the novels is that he made the individual discourses arising from the oppression of the searious "time". The differences between his writing and "time writing" are the differences between political "ideal" and individual "dream". From that, WuMing shi went on a road of aesthetic individual writing. |
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| Keywords: | ideal" "dream" principal of individuality |
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