| 荡漾在电影与戏剧之间--《红灯记》系列作品的逻辑演进 |
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| 引用本文： | 谢柏梁.荡漾在电影与戏剧之间--《红灯记》系列作品的逻辑演进[J].南京师范大学文学院学报,2003(4):56-64. |
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| 作者姓名： | 谢柏梁 |
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| 作者单位： | 南京师范大学,文学院,影视学系,江苏,南京,210097 |
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| 摘 要： | 本对《红灯记》题材从电影、戏剧到钢琴伴唱电影的逻辑演进予以了历史回顾，并对其作为电影的结构性缺陷、作为戏剧的本体性开拓以及作为歌剧电影的历史地位树立，进行了比较研究，从一个个案对电影与戏剧的相互传播与影响进行了分析。
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| 关 键 词： | 《红灯记》 电影 戏剧 歌剧 逻辑演进 |
| 文章编号： | 1008-9853(2003)04-056-09 |
| 修稿时间： | 2003年11月2日 |
Undulating between Movie and Drama--Logical Evolution of the Series Based on The Story of the Red Lamp |
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| Xie Boliang.Undulating between Movie and Drama--Logical Evolution of the Series Based on The Story of the Red Lamp[J].Journal of Chinese Language and Culture School Nanjing Normal University,2003(4):56-64. |
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| Authors: | Xie Boliang |
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| Abstract: | This paper takes a historical retrospection of the logical evolution of the series based on The Story of the Red Lamp, from movie to drama to movie in the form of piano - accompanied opera, and carries out a comparative study of the structural defects (as a movie), the ontological development (as a drama), and the establishment of a historical status (as an opera - film) . An analysis is made through this individual case on the mutual promulgation and influence' between movie and drama. |
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| Keywords: | The Story of the Red Lamp movie drama opera |
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