| 论吕天成《曲品》之"境" |
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| 引用本文： | 耿祥伟.论吕天成《曲品》之"境"[J].宜宾学院学报,2007,7(1):9-12. |
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| 作者姓名： | 耿祥伟 |
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| 作者单位： | 华南师范大学,文学院,广州,510006 |
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| 摘 要： | 吕天成<曲品>之"境",由于受传统诗学"意境"理论的影响,仍体现为情与景、意与境的统一.但运用于戏曲领域,充分考虑到戏曲的叙事性质,因此,吕氏之"境",其涵义又包含了一些新的因素.但不能因此就说吕氏之"境"就是一种成熟的戏曲"境界"理论,这从版本学的角度也可以得以充分的说明.
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| 关 键 词： | 吕天成<曲品> 戏曲 境 境界 |
| 文章编号： | 1671-5365(2007)01-0009-04 |
| 修稿时间： | 2006年9月11日 |
On Lu Tiancheng's "Artistic Conception" in Qu Pin |
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| Authors: | GENG Xiang-wei |
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| Institution: | South China Normal University, Guangzhou 510006, China |
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| Abstract: | The "artistic conception" of Lu Tiancheng's Qu Pin is influenced by the "artistic conception " theory in the traditional poetry and is still identified into merging of not only emotion and scenery,but thought and artistic conception.In the drama domain,fully considering the drama's narrative nature,Mr.Lu enables his "artistic conception" to contain some new factors.This certainly does not mean that Mr.Lu's "artistic conception" is one kind of mature drama "artistic conception" theory because it also can be fully explained from the edition of Mr.Lu's Qu Pin. |
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| Keywords: | Lu Tiancheng Qu Pin Drama "Artistic Conception" State |
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